Juan Diego Ramirez

Juan Diego Ramirez is a multimedia bilingual journalist. Having lived as an undocumented immigrant for over 20 years, Juan Diego has focused on telling stories from communities that reflect his life experiences. His reporting expands from investigating Mexican corruption at the highest levels to reporting on US policies that affect undocumented immigrants and formerly incarcerated US citizens. His works include the 2023 Webbie Award winner podcast, Idolo; The Ballad of Chalino Sanchez, USA v. Garcia Luna, and the NAACP Award-nominated podcast, The Sum of Us. He also produced and co-hosted Racist Sandwich, a James Beard Foundation-nominated podcast on food, class, race, and gender. In 2022 he received the Arnold Picker Excellence Award in Journalism from Baruch College.

  • By Juan Diego Ramirez

    Madison Square Park has oak, maple, elm and birch trees, which release high amounts of pollen in the Spring. (Photo by Juan Diego Ramirez)

    Opening your windows for the first time after a cold winter in New York City might feel like a breath of fresh air. However, for many who live in a greener zone of the city, a nice breeze in the spring is the beginning of the dreaded allergy season—and efforts to expand the urban canopy could be exacerbating their symptoms.

    That’s the case for Georgia Kuiok, a New York University student living in the Flatiron District. She has suffered from allergies all her life, but spring and fall are when they flare up.

    “I take allergy meds daily,” she said.

    Trees are vital in the city’s efforts to mitigate climate change. During high heat times, shaded areas are 20 to 40 degrees cooler than areas without. (Source: NYC Parks )

    According to NYC Health + Hospitals, allergies flare up during certain months when trees, weeds and grass release pollen into the air. CDC allergy data show that 19% of people under 18 years old suffer from seasonal allergies in the United States. That number increases to almost 26% for people over the age of 18.

    Dr. David Erstein is a specialist in allergy and immunology at NYC Health + Hospitals/Lincoln.

    “Climate change has led to longer growing seasons and higher pollen counts,” he told a NYC Health + Hospitals publication. “Warmer temperatures and increased carbon dioxide levels help plants produce more pollen, and for a longer stretch of the year.”

    Itchy eyes, runny noses and asthma attacks can be a product of pollen allergies.

    “It’s like living with a chronic illness,” said Kuiok, who’s been to the hospital several times due to her seasonal allergies.

    Limiting time outdoors on high-pollen days and in the early morning when pollen counts are highest can be helpful for those who suffer from allergies, according to Dr. Erstein.

    “Keep windows closed, use air purifiers, and shower after being outside to wash off pollen can also be helpful,” he said.

    With plans to expand its Neighborhood Tree Planning Program throughout its five boroughs, the city finds itself dealing with a public health conundrum: More tree species means more allergens.

    “We now plant over 130 different species and varieties of trees, up from only 29 species twenty years ago,” said Judd Faulker, a spokesperson for NYC Parks.

    NYC Parks manages 7,300 acres of natural forest area, street and parkland trees, according to their website.

    “Each area demands a different planting approach, which includes species selection. A number of criteria goes into choosing which tree species is most appropriate, including flood/drought conditions, soil compaction/pollution, sunlight, surrounding canopy, and potential conflict with nearby infrastructure,” said Faulker as the city aims to fight urbanization, heat islands and air pollution.

    “We aim to continue planting and maintaining a robust and diverse population of trees across the city that can tolerate all the challenges that the urban landscape provides,” he said.

    According to NYC Parks, trees are vital in the fight against climate change. During the high heat of the summer, areas shaded by trees can be 20 to 40 degrees cooler than areas without trees.

    While a strong and healthy tree canopy is critical for managing stormwater, providing habitat for animals, and reducing heat, it can also worsen pollen levels, according to Guy Robinson, a Visiting Scholar at Fordham University Department of Natural Sciences.

    New York City was built on an Oak-Hickory woodland, but invasive species are creating a pollen problem, particularly in neighborhoods with more trees, according to one of Robinson’s studies.

    “Trees that are exotics for the most part planted as ornamentals like Chinese, Elm, and the Pagoda tree flower in August, which is not when most trees flower, and so we’re now getting a second tree season in the late summer, early fall, which we didn’t have before,” said Robinson.

    This chart was created to help New Yorkers find which trees planted in the neighborhood produce more pollution than others. Source: Journal of Exposure Science and Environmental Epidemiology

    “I’m certainly not opposed to planting trees, but I do think we should think more carefully about which ones we plant because there are plenty of choices,” he said. Robinson and his colleagues have created a list of trees that produce less pollen and, therefore, could be a better fit for public health.

    “The Tulip tree is one. It’s actually the tallest trees you can find in the city. Those produce very little pollen ‘cause they’re insect-pollinated. Anything that’s insect-pollinated is going to be less overall,” he said.

    Although NYC Parks has not announced plans to prioritize low-pollen trees, they have created an immersive city map on their website that shows all the information on the trees under their care across the city.

    NYC Parks offers a map on their website to see what species of trees have been planted around their neighborhood, and if it contributes to their seasonal allergies. (Source: NYC Parks)

    Users can explore the map and see what species of trees are planted around their neighborhood and check whether those species are contributing to their seasonal allergy flare-ups.

    For Robinson, a tree map is useful, but it’s not enough if the city does not take proactive steps to address the pollen issue.

    “We actually have the capacity to do something in terms of airborne pollen in the city, and so this should be given some consideration when planning another project of tree planting,” he said. 

  • Returned from CECOT: Venezuelan Migrants Reunited with Families After Secret Deportations

    Editor’s Note: This is Juan Diego’s reporting debut for The Latino Newsletter. Daily Kos reporter Alix Breeden contributed to the reporting. All interviews were conducted in Spanish and translated into English for this story.

    After months of confusion, isolation, and legal limbo, more than 250 Venezuelan men detained in El Salvador have returned home. They were part of a prisoner swap involving 10 American nationals held in Venezuela.

    Many parents of the Venezuelan detainees who had sought justice are now breathing a sigh of relief to see their sons home, but remain concerned about the toll the detention has taken on their sons’ lives.

    “I saw him. He was not all there,” said Karlyn Fuentes, describing to The Latino Newsletter the moment she saw her son, Joen Suárez, after his return to Caracas last Friday. “Like he had woken up from a dream. He is going to need a lot of mental help.”

    Fuentes said the encounter was brief. 

    Originally from Valles del Tuy, about one hour outside Caracas, Fuentes happened to be at a hospital in Venezuela’s capital city with her daughter, who had suffered a knee injury, when she heard from the news that the prisoners were being flown in. 

    “I’m very happy,” she said. “As a mother, I don’t want him to return to the United States.”

    A few weeks before the news, Fuentes was one of several Venezuelan parents who traveled to Geneva back in June to seek international support. 

    She and other members of the Comité de Defensa de los Migrantes Secuestrados en El Salvador, a Venezuelan migrant advocacy group, spent over two weeks pleading with the U.N. Human Rights Council to intervene.

    Members of the Comité de Defensa de los Migrantes Secuestrados en El Salvador in Geneva (Photo provided by Juan Diego Ramirez for The Latino Newsletter)

    Their children were among the 252 Venezuelan migrants sent to El Salvador’s maximum security prison, Centro de Cofinamiento del Terrorismo (CECOT), by the U.S. earlier this year under the use of the Alien Enemies Act of 1798. Many had no prior criminal charges or convictions. Jetzy Arteaga, another Venezuelan parent, stated the transfers to CECOT happened without warning or access to due process.

    Arteaga’s son, Carlos Alejandro Cañizalez, was arrested back in March and taken to CECOT by the Trump Administration.

    “His partner called me and said they took him to CECOT in El Salvador,” Arteaga said.

    Cañizalez was rerouted from a deportation flight to El Salvador with no trial or formal charges. 

    Arteaga was infuriated with what happened to her son.

    “I don’t understand why they are doing things this way. This is a crime against humanity, never before seen, because this has never happened anywhere,” she said.

    Before the prisoner swap,  El Salvador’s president, Nayib Bukele. publicly shifted responsibility for their detained sons, pointing the finger back to Washington. He addressed the issue directly, explaining that “jurisdiction and legal responsibility” for the Venezuelan men in CECOT rest with the U.S. and not with his country. 

    Bukele’s statement contradicted earlier comments made by the Trump administration and complicated the legality of the deportations. Legal filings submitted to U.S. District Judge James Boasberg in Washington, D.C. cite El Salvador’s admission that the U.S. retains authority “by virtue of international agreements signed and in accordance with the principles of sovereignty and international cooperation in criminal matters.”

    The U.S. government had argued that once the men were flown out of the country, they could no longer challenge their detention. 

    In June, Judge Boasberg ruled that migrants must be permitted to challenge their deportation even while abroad, and ordered the government to have a system for claims by CECOT detainees.

    For Mirelys Casique, the legal nuance doesn’t make up for what her son endured. Francisco García Casique was sent to CECOT after missing a court date in Texas. 

    Francisco García Casique (Via Mirelys Casique)

    “Our relatives were being used essentially as hostages, and that’s my analysis: they were used for a political purpose and ended up in a political limbo where no one gives us answers,” Casique said. “Everyone passes the blame around. It was a hot potato. The United States says it has nothing to do with them anymore because they are in El Salvador. El Salvador says it is only acting as the jailer.”

    “We are humble people,” Casique added. “My son is not a terrorist. He is not a criminal in Venezuela, or in the U.S. He is just a barber.”

    Though the men are now back in Venezuela, the mothers said the story is not over. In videos surfacing online, many of the returnees noted they suffered abuse while at CECOT.

    Casique said her advocacy won’t end until every mother in her country has the answers they deserve. 

    “Since this happened, I understood that I had to be the voice of my son, Francisco. But then I also realized I had to be the voice of all the innocent people locked up there, because it’s not just about my feelings as a mother,” Casique said. “I have a moral obligation. I also took on the responsibility to be the voice for the other mothers back home in Venezuela who don’t have the same strength I do.”

  • Produced Episode 1 of the series. Audible subscription required.

    Image via Audible

    Listen to the podcast here.

  • Introducing ‘Nationly‘ — a limited election series podcast by Immigrantly Media. Join hosts Sara Sadhwani and Juan Diego Ramirez as they offer their unique perspectives on swing states pivotal in determining the 2024 election outcomes. Focusing on minority communities—specifically, immigrants and communities of color—’Nationly’ uncovers the issues that truly matter to these voters. Each episode explores key defining moments in the lives of these voters, providing a comprehensive view of America’s political spectrum and the diverse voices shaping it.

    Nationly is co-hosted by political science professor Sara Sadhwani and multimedia journalist J.D. Ramirez.

  • Orlando, FL: Felon Disenfranchisement & Voting Rights

    “Desmond and Neil knew they weren’t going to win Amendment Four by only appealing to the family members of returning citizens. Their landmark campaign to restore voting rights to people with felony convictions needed widespread support.

    Together, they built a wide network of grassroots volunteers across political divides. On any given day, they might go to an NAACP meeting, a Unitarian church, and a MAGA rally – all for Amendment Four. Neil joked that he and Desmond had a “20 minutes and a cup of coffee rule, and you could convince anybody to support Amendment Four because the truth is, it’s good for everybody”. Their strategy led to one of the largest expansions of voting rights in US history.”

    https://www.thesumofuspodcast.com/#Episode-by-Episode-Guide

  • Note from the producer:

    This podcast has been one of my most personal projects to date. Growing up in South Los Angeles, Chalino’s music was everywhere. I would often hear his music out of the loud speakers of cars passing by or at a family gathering once the party vibes were at their peak. Chalino represented street life, but also Mexican culture in L.A. The fine line his legacy played for Mexican Angelenos is second to none. When I was told I would be a producer for this series in both English and Spanish, I was ecstatic. I was tasked to oversee the end-to-end production of the podcast. This would be my first time in such a position. We had a lot of fun during the production of this project, from the research phase to writing original music. Chalino has created another everlasting memory for me. I hope you have also enjoyed listening to it as much as I enjoyed producing it.

    “We examine Chalino’s extraordinary life and attempt to unravel the mystery of his death. Chalino’s story—his own narcocorrido—is the ultimate ride through the drug cartel world, the underbelly of the Mexican-American music industry, and a murder mystery for the ages. Idolo: The Ballad of Chalino Sánchez is a podcast by Sonoro and Futuro Media.”

    https://sonoromedia.com/podcasts/idolo

  • By JUAN DIEGO RAMIREZ and ARELI MORALES 

    https://www.latinousa.org/2021/08/24/mezcal/ 

    For some years now, mezcal, Mexico’s other national spirit, has been in a cultural spotlight outside of Mexico, but its unseen devastating consequences have had a profound impact on the people making it.

    The popularity of mezcal in the U.S. can be traced to the rise of social media and trendy bars across the nation. Many major cities in the country have exclusive bars dedicated to mezcal alone. The U.S. has become the number one destination of mezcal exports, with almost 70% of Mexico’s foreign sales in 2020 alone. But the demand for this drink over recent years has put many mezcal makers in a conundrum: preserve their livelihood or limit environmental impact?

    Although there are eight Mexican states that can produce mezcal to governmental standards, the Mexican state of Oaxaca produces 90% of the country’s mezcal. The overproduction of the spirit is leading some agave plants, which are used to make mezcal, into extinction. Many residents in Matatlán, one of the towns in Oaxaca where mezcal production is the main source of income for many families, worry about water shortage caused by the overplanting of agave.

    Many agave farmers who are also distillers, don’t have the means to deal with governmental bureaucracy, and unfortunately, outside companies ready to invest take advantage of that. Many farmers tend to work for nonlocal companies who often don’t see the consequences of over-farming agave. Latino USA takes us on a journey to understand —and appreciate— mezcal’s production process and how to become a better consumer.

  • East Harlem Folklore by Juan Ramirez

     

    The Latino demographics in East Harlem are changing due to immigration trends. As the Latino population decreases, Mexican and Central American immigrants are finding sanctuary in El Barrio—a section of East Harlem—making it their home due to the low cost of living. This comes at a price.

    According to the New York City Department of Health, East Harlem is one of the poorest neighborhoods of Manhattan, with 50% of its residents being Hispanic. East Harlem has one of the highest rankings for air pollution in the city. Teen pregnancy and school dropout rates are higher than the average numbers in Manhattan. Despite all the problems East Harlem faces, the new Latino residents are dedicated to making positive contributions to the neighborhood.

    Sandra Mozo González is part of the wave of Mexican immigrants rooted in East Harlem. González came to the US in the early 2000s from Mexico City. She settled in New York City, where she had some extended family, and soon after joined the workforce. González works at a cosmetics shop by day, and she is a Mexican folk dancer by night. She has been dancing Mexican folk dance for over 20 years. In her native Mexico, González was part of a Grupo Artístico Mexicano Macuilxochitl, which was directed by Ramon Toxqui—whom she works with to this day.

    In 2014, she joined the Ballet Folklorico Mexicano de Nueva York. She noticed that after her performances, many women were interested in what she was doing. This encouraged her to form and become the choreographer for a Mexican folk dance group in East Harlem. The group is over a year old, and it hopes to promote Mexican culture in the neighborhood. She wanted young girls as well as adult women in her neighborhood to be exposed to this part of the Mexican Culture. González put her ear to the ground and started recruiting women of all ages to her new groups called Yaocihuatl—or warrior women, to honor the women in her group.

    She now has 35 dancers in her group. “This is a group made up of fierce women. Women who have full-time jobs, students, single mothers, and stay-at-home mothers,” says González. You can see the diversity of the age of the dancers as González teaches the younger dancers lectures on accountability. “It is not your mom’s fault, it’s your fault,” González tells a young dancer for forgetting dancing shoes at home. “This group is not just dedicated to dance, but it is also a group for women to mutually help each other,” says González.

    Yaocihuatl is run on donations and investments from the dancers themselves. “The dresses are not cheap,” González says. Each dress could cost up to $500. González has the colorful dresses imported from Mexico, as she wants to make the performance and appearance of the dancers as authentic as possible. Mexican folklore has many dances, and therefore, there are many dresses the group uses. Yaocihuatl practice dances from the Mexican states of Veracruz, Campeche, and Chiapas. That is three different outfits that the dancers have to buy. But the group is dedicated and passionate about what they do, so the cost of the outfits is part of the experience.

    González has created a positive outlet for women in East Harlem’s El Barrio. This dance group is crucial to these women in many ways. It provides cultural education, it creates a community among the dancers, and it is a way to keep the youth from the streets. “The group is open to everyone. My goal is to promote Mexican culture, but why not also promote other cultures as well?” asks González. Yaocuhuatl is housed at the East Harlem Health Center in the heart of El Barrio. González is dedicated to pumping culture into the neighborhood.

  • https://soundcloud.com/juan-diego-ramirez/joker-stairs

    New Yorkers are no strangers to the limelight. As one of the most famous cities in the world, New York has been featured in films, books, and probably on your favorite podcast. However, some neighborhoods in the city have kept their distance from the media. A short train ride away, north of Manhattan, into the South Bronx, a predominantly Latino and Black working-class neighborhood has become an overnight attraction. People in Highbridge are finding themselves split over what has become known as the “Joker Stairs” as fans of the new film flock to the location en masse. 

    After its opening at the box office as one of the top 10 highest-grossing films of 2019, The Joker has made Highbridge a new tourist attraction. In this new adaptation of DC’s villain, The Joker, the film focuses on Arthur Fleck–portrayed by Joaquin Phoenix–a failed clown with mental illness who lives on the outskirts of Gotham City, a fictional city that resembles New York. In the film, Fleck ascends a long, narrow set of stairs located between two old apartment buildings just to get home after long days. In what is one of the most iconic scenes in the film, Fleck–now dressed as the Joker in a red suit, green hair, and clown makeup– is seen dancing down the stairs as he ascends to his notorious role as a Batman villain. 

    Visitors have been flocking to The Bronx to pay homage to the character “Joker.”

    Word of the location of this scene spread quickly through social media, and fans from all over have started showing up. Ana De Leon, a resident of Highbridge, finds this trend strange. “This is a form of transportation for me to get to the train, people coming here to take a picture, it’s strange,” she says. De Leon is divided on her opinion about the Joker Stairs. “I think it could be a good thing, because of a movie and where it was filmed, everybody is interested in where we live, it could be a good thing for the neighborhood,” she adds.

    Aidibell Feliciano, another resident of Highbridge, thinks that this new wave of tourism gives the neighborhood character. “It will probably bring more productions to the neighborhood and a lot of recognition, and finally, because this was a famous neighborhood and it’s been put behind. People are afraid to come this way, but we are all nice and welcoming,” she says. But Chris Yanes–a teenager who traveled with his family from Queens to visit the stairs is not one of those people who are afraid to show up in the Bronx. “I heard about it since the movie came out, since the trailer. I wanted to know where the stairs were, and I wanted to do the dance. I searched on Google because I wanted to know where it was. I knew it was somewhere in New York. I got excited when I found it was close, so we came,” he says. Yanes reenacted the dance in costume as the Joker—but came as another, also iconic version of the character. “I wanted to make it more original, so I went with a bit of Heath (Ledger) look. I wanted to go with a more original idea when dancing down the stairs.”

    Some local workers say that the influx of tourists has caused disruption to their daily lives.

    Other tourists like Aidan Hubbard and Ryan Martin, fans of the film, also used Google to find the location of the Joker stairs. It was the first time they came to this neighborhood. “He actually googled it, and it was popping everywhere from the movie,” says Martin while pointing at Hubbard. “I’ve been to a couple of Yankee games before, and I’ve kind of explored a little bit passed 169th Street, but otherwise, this area, I mean, it looks like any part of the city, but now it’s kind of a little icon up here in the South Bronx,” says Hubbard. 

    On social media, Joel Martinez, a comedian mostly commonly known as Mero the Kid from Showtime’s Desus & Mero, tweeted a sarcastic message to his followers telling them to show up with expensive electronics and cash at hand, as The Bronx suffers from high crime rates, according to the New York Police Department. In a viral video posted on social media, an angry man is seen throwing eggs at visitors. You can hear the man say, “Y’all not spending no money in my store, but come here to take a picture, Yankee Stadium is where the tourists go.”

    A bodega near the infamous staircase was able to see some of the movie’s production

    This has become a well-known sentiment among local business owners. Tourists are not contributing to the local economy. Fatima and Kevin Reyes, workers at Shakespeare Deli Grocery, say that despite all these new faces in their neighborhood, their business has not had the economic impact they expected. “Honestly, we haven’t seen anything different. More people are coming for the stairs, but we haven’t seen any uptake in our business,” says Fatima. “We thought that when people came here to film, they would be doing good things for the neighborhood. We should’ve seen better opportunities in business or a better quality of life for everyone who lives in this location. But we don’t see any changes,” she adds. Kevin tells me that when there are too many people outside, many of our customers prefer to shop elsewhere instead of dealing with tourists. “It’s affecting our business. What can I do?” he says.

    The Joker stairs have started a conversation among residents of the area. Ana De Leon says that tourists come to the neighborhood just to take pictures. “Sometimes it could take away from the actual place we call home because they want to post it online and be a part of something,” she says. Arthur Fleck has transcended the screen and caused a rift in the real world. Some neighbors welcome the change, and others oppose it. For now, this neighborhood in the Bronx will have to deal with the masses of Joker fans. 

  • http://www.racistsandwich.com/episodes/2019/1/23/e66-im-not-leaving-w-ruben-ramos-karla-quiones-abner-roldn-and-tony-ayala

    Puerto Rico RS (1).png

    In this episode, Juan travels to Puerto Rico and interviews people affected by Hurricane Maria. He reminisces on his own encounters with hurricanes and how Hurricane Maria’s destruction reminds him of these experiences. First, Juan visits the town of Utuado to meet with Ruben Ramos, owner of a coffee plantation. The Puerto Rican coffee industry suffered devastation from the hurricane. Mr. Ramos was among the hardest hit. Then, in San Juan, in the Santurce District, Karla Quiñones and Abner Roldán—owners of Cafe Comunión—tell us how the shortage of Puerto Rican coffee due to Hurricane Maria is affecting its quality. Finally, Juan sits with Tony Ayala—co-owner of Aqui Se Puede bar— in Old San Juan. He recalls how his community came together during the days following the hurricane.

    This episode is produced by Juan Ramirez. Music is by Blue Dot Sessions, AF the Naysayer, Bandurriator, and Ray Baretto.

    LINKS DU JOUR

  • http://www.racistsandwich.com/episodes/2019/1/7/e65-los-angeles-is-brown-w-daniel-hernandez

    Screen Shot 2019-04-29 at 12.21.14 AM.png

    Happy new year, everybody! You know what they say…new year, new episode. New hosts? Producers Stephanie Kuo and Juan Ramirez take over the mic this week to bring you this episode on the diversity of food media in Los Angeles. But first, in part one, Juan and Stephanie talk about big life changes in 2019. Then in part two, Juan sits down with Daniel Hernandez, editor of LA Taco, to talk about everything from the decimation of true local LA media, Latinx identity, immigration and how going to Mexico helped him realize what food means to him.

    Produced by Stephanie Kuo and Juan Ramirez. Music by Blue Dot Sessions and AF the Naysayer.

    LINKS DU JOUR

  • http://www.racistsandwich.com/episodes/2018/11/28/e62-eat-bananas-with-rice

    PHOTO BY SOLEIL HO

    PHOTO BY SOLEIL HO

     

    This episode is all about Somali food: sambusas, bananas with rice and…pineapple upside-down cake? In part one, Soleil sits down with Hamdi Ahmed to talk about a cookbook she co-wrote in high school. Soo Fariista (Come Sit Down) is a collection of family recipes and a portal to her childhood food memories. They discuss her favorite dishes, fusing Somali and American cuisine and how her cookbook is just one way Somalis are becoming more visible in Minnesota. In part two, we do something a little different. Racist Sandwich isn’t a cooking show, but for one day, and one day only, Soleil cooks sambusas for us! It definitely *sounds* delicious.

    Produced by Stephanie Kuo and Juan Ramirez. Music by AF the Naysayer, Lee Rosevere and Blue Dot Sessions.

  • http://www.racistsandwich.com/episodes/2018/11/14/e61

    From left to right: Kim Chou by Paper Monday, Amanny Ahmad, Ora Wise by Scout Rose, and George Abraham. Bottom: a photo from the Asymmetrical Table event by Heidi’s Bridge

    From left to right: Kim Chou by Paper Monday, Amanny Ahmad, Ora Wise by Scout Rose, and George Abraham. Bottom: a photo from the Asymmetrical Table event by Heidi’s Bridge

    In this episode, we dive headlong into how the relationship between Israel and Palestine intersects with food politics. In our first segment, Food Book Fair co-director and organizer Kimberly Chou Tsun An speaks to chef and artist Amanny Ahmad about her advocacy work and about what she misses from Palestine. They also recap a dinner Ahmad cooked last year with Bay Area chef and restaurateur Reem Assil.

    In our second segment, Soleil talks to chef and organizer Ora Wise about hummus, food media, and olive trees. Finally, we revisit a poem by George Abraham, “Ars Poetica in Which Every Pronoun is a Free Palestine,” recorded at the 2018 Kundiman writers’ retreat. We hope you enjoy this episode!

    Produced by Juan Ramirez. Music by AF the Naysayer and Blue Dot Sessions.

    LINKS DU JOUR

  •  

    Soleil sits down with podcast producer Ahmed Ali Akbar (of See Something, Say Something fame) to talk all about Pakistani food: what makes it unique, why it often shares menu space with popular Indian-ish dishes like chicken tikka masala, and where to find it.

    Produced by Juan Ramirez. Music by AF the Naysayer and Blue Dot Sessions.

    LINKS DU JOUR

  •  

    In this episode, Zahir sits down with Chicago Tribune’s Deputy Food Editor Joseph Hernandez to talk about moving to Chicago from Southern California, what it means to be a queer food writer of color, and why people should not be intimidated by wine.

    Produced by Juan Ramirez. Music by AF the Naysayer and Blue Dot Sessions.

    LINKS DU JOUR

    Make Cachupa Rica while learning some history.

    The rarest eight dollar bottle in Chicago.

  • http://www.racistsandwich.com/episodes/2018/9/4/em4y70ovstl0fs3kd84s1bgo2zxzrb

    JESS X SNOW

    JESS X SNOW

    This is our third installment of poetry and prose that Soleil recorded when she stopped by the Kundiman writer’s retreat at Fordham University this summer. Each year, Kundiman brings upcoming Asian American writers together for a week of mentorship, workshops, and master classes. This episode includes works by George Abraham, Meng Jin, Jason Bayani, and Susanna Kwan.

    Produced by Juan Ramirez. Music by Bad Snacks and Kevin MacLeod.

    LINKS DU JOUR

  • Roxanne Scott and Darnell Ferguson

    Roxanne Scott and Darnell Ferguson

     

    Guest interviewer Roxanne Scott chats with chef and television fixture Darnell Ferguson about what it means to be the only Black executive chef in Louisville, Kentucky. In this frank interview, Ferguson reveals his approach to mentorship and the work it takes to ensure his message of positivity gets to the people who need it.

    Produced by Juan Ramirez. Music by AF the Naysayer and Blue Dot Sessions.

    LINKS DU JOUR

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    This summer, Soleil stopped by the Kundiman writer’s retreat at Fordham University to record snippets of poetry and prose from this year’s writing fellows. Each year, Kundiman brings upcoming Asian American writers together for a week of mentorship, workshops, and master classes. On this bonus episode, you’ll hear the first of the 16 recordings she made, featuring Aurora Masum-Javed, Doreen Wang, Matthew Olzmann, and Janine Joseph.

    Produced by Juan Ramirez. Music by Lobo Loco, Les Cartes Postables Sonores and Rushmo.

    LINKS DU JOUR

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  • DAVID MALAN VIA GETTY IMAGES

    DAVID MALAN VIA GETTY IMAGES

     

    In this second episode of a two-part series on mental health, Soleil speaks with Heather Armstrong and Kimberley Wilson on the links between diet and mental health. Armstrong, a blogger and writer also known as “Dooce,” tell us how her last attempt at veganism resulted in the worst depression of her life. Then, psychologist Wilson talks to us about her work busting myths about clean eating and dieting in the UK.

    Produced by Juan Ramirez and Stephanie Kuo. Music by AF the Naysayer and Blue Dot Sessions.

    LINKS DU JOUR

  • This is the first of a two-part series on mental health. Soleil sits down with author Hannah Howard and chef Casey Rebecca Nunes, who both open up about their own mental health struggles in the food industry. In the first part of the episode, Howard describes a scene from her new memoir “Feast: True Love in and Out of the Kitchen,” and talks about grappling with an eating disorder while working at a fine dining restaurant. Nunes then explains how she balances the pressures of being a chef with self-care routines.

    Produced by Juan Ramirez. Music by AF the Naysayer and Blue Dot Sessions.

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  •  Jung Fitzpatrick

    Jung Fitzpatrick

    In this episode, we hear the morning keynote address at the La Cocina food conference delivered by Reem Assil, the founder of Reem’s Bakery and the newly opened restaurant Dyafa. Reem speaks about the targeting of civilians in Gaza and how she uses food as a way to push back against the Israeli occupation and its attempted erasure of Palestinian lives. We also hear from one of Reem’s employees about how the design and decor of Reem’s bakery reflects their mission and philosophy.

    Produced by Juan Ramirez. Music by AF the Naysayer and Blue Dot Sessions.

    LINKS DU JOUR

  • http://www.racistsandwich.com/episodes/2018/4/24/e47

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    In part one, Soleil, Zahir, and Juan meet up at La Cocina Conference in San Francisco and Soleil shares some exciting news.

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    In part two, we commemorate Armenian Genocide Remembrance Day by interviewing journalist Liana Aghajanian about what it was like to come to the US as a refugee from Iran, how the Armenian genocide impacted Armenian food, and what exactly a dowel is.

    Produced by Juan Ramirez. Music by Blue Dot Sessions and AF the Naysayer.

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  • http://www.racistsandwich.com/episodes/2017/7/26/e32-because-i-dont-have-papers-w-armando-ibanez

    Juan speaks with Armando Ibañez, an undocumented queer filmmaker who produces Undocumented Tales, a web series that is loosely based on Armando’s experience as a waiter in LA. Armando talks about what is like to be undocumented in the US while working as a server in the food industry and how his love for film helped him feel comfortable about his sexuality.

    “Sometimes I ask my self, How have I last 16 years in the restaurant industry? and then I answer myself—because I don’t have fucking papers!”, says Armando.

    We also dive into the violence street vendors often experience while working, including a recent incident that sparked controversy after a man flipped over Benjamin Ramirez’s cart.

    Produced by Juan Ramirez. Music by AF the Naysayer and Blue Dot Sessions.

    LINKS DU JOUR

    Undocumented Tales
    Support Armando’s Project
    The Los Angeles Street Vendor Campaign

  • http://www.racistsandwich.com/episodes/2018/4/10/e46-donde-estan-mis-pinches-huevos-kitchen-spanish-w-emily-hunsberger

    It’s our first reported episode of the season! Emily Hunsberger, who hosts the Spanish-language podcast Tertulia, brings us this great story about Kitchen Spanish, the unique pidgin spoken among Spanish-speaking and English-speaking staff in restaurant kitchens. While interviewing food workers in Grand Rapids, Mich., Emily discovered that the ability and willingness to communicate across language barriers have become especially critical today in the United States where the immigration debate under the Trump Administration is escalating. Also in this episode: we hear from host Soleil about her own experience speaking Kitchen Spanish and about that one time producer Juan Ramirez got in trouble in school for saying a bad word.

    Note: Because this episode is about the unique kind of Spanish that’s spoken in restaurants, there are long stretches of Spanish dialogue throughout the piece. Emily paraphrases and interjects wherever she can, but we wanted to preserve those conversations as much as possible.

    Produced by Stephanie Kuo and Juan Ramirez. Music by AF the Naysayer and Blue Dot Sessions.

    LINKS DU JOUR

  • Article on Latino Rebels

    By Juan Diego Ramirez

    In a small room full of cameras, an American flag pinned on the wall becomes the backdrop of every shot. Hector Barajas sits on a leather couch placed against that wall. He is about to read an immigration decision that could decide his future to either return to the U.S. or stay in Mexico. Barajas is part of an ever-growing population of US deportees with one exception—he is a military veteran. 

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    Instagram Picture @Deportedveteran

    “Deported veterans are people who served in the armed forces all the way from the Vietnam War era to the guys who are coming back from Iraq and Afghanistan” says Barajas, Founder and Director of the Deported Veterans Support House (DVSH)—an organization set to provide assistance to U.S. Military serviceman who have been deported to Mexico in the border city of Tijuana, Mexico.

    “The most important thing that we do is housing. We make sure they get somewhere to sleep until they get their life situated” Barajas says about deported veterans. The recourses center also helps the deported veterans obtain their Veterans Affairs (VA) benefits, compensation pensions, legal services, physical, and mental health resources.

    Screen Shot 2018-03-30 at 2.51.57 AMInstagram Picture @Deportedveteran

    There are two “Bunkers”—as the DVSH centers are commonly called—in Mexico, but the organization is planning to open more “Bunkers” wherever there are large populations of deported veterans around the world. Barajas is currently in talks with deported veterans in the Dominican Republic and Jamaica, where he will be assisting other veterans to open their own “Bunker” in the near future. He has identified 350 deported Veterans around the world and 60 deported veterans in Tijuana and Juarez, Mexico—the second location of the Mexican “Bunkers”.

    According to Barajas, DVSH members are made of once legal residents and undocumented Vietnam War Veterans that were drafted during the Vietnam War, including himself.

    Barajas came to the U.S. at the age of 7 years old and settled in Compton, California with his family. As a teenager, Barajas was granted a permanent residency card. Right after turning 17 years old he enlisted in the military and at 18 years old Barajas joined the Army and served with the 82nd Airborne Division.  He served the military for two terms, from 1995 to 2001. He became a wartime veteran due to his services from the aftermath of 9/11.

    Screen Shot 2018-03-30 at 2.48.24 AMInstagram Picture @Deportedveteran

    After his military service, Barajas served a 2-year prison sentence for unlawfully discharging a firearm in 2001. In 2004 Barajas was deported back to Mexico for the first time. He returned to the U.S. and was deported a second time in 2010

    “I went through the whole deportation proceeding and when I was getting deported I thought I was the only person that was going through this and then over the years through my advocacy work I’ve identified hundreds of veterans being deported around the world,” says Barajas when talking about why he got involved with the organization.  “I feel committed and somebody needs to do something about it.” 

    After serving a prison sentence Barajas was picked up by immigration. “I thought I was going to be released initially,” says Barajas. He was eventually put in deportation proceedings and was sent from California to Eloy—an Immigration detention center in Arizona. That’s when he was able to let his family know he was being deported. “I thought that as soon as they would find out I was a veteran I was going to be released but being a veteran carries no weight on being deported under the current laws”

    According to a 2017 Washington Post article, “500,000 foreign-born U.S. veterans lived in the country in 2016. Since October 2001, more than 100,000 military members have become naturalized citizens”. They credited these numbers to the U.S. Citizenship and Immigration Services and the Migration Policy Institute.

    There is a misconception that veterans become US citizens automatically after their military services according to Barajas. “We have been drafting Undocumented Immigrants since the Civil war” noted Barajas. While there is a path to citizenship in the military, Barajas points to the lack of information from the military about such proceedings and initiative from individuals who qualify for these benefits. “Sometimes you get deployed to Afghanistan and the last thing on your mind is trying to figure out your citizenship while you are trying to survive and stay alive,” comments Barajas. “It’s kind of hard to be thinking about your N-400—the application for US citizenship—while dodging bullets.”

    Many of the deported veterans Barajas helps fell under the wrong assumption that they too would not be deported due to their military service, according to Barajas. “Some thought that they were citizens because of their recruiters,” says Barajas. “So what happens when you come home from the military if you go through some rough time? Not only do you serve a prison sentence, but then you are picked by immigration,” says Barajas.

    According to the U.S. Department of Veterans Affairs, about 11 to 20% of veterans will suffer from Post-traumatic Stress Disorder or PTSD.

    “I see a lot of mental health issues, not just because of deportation but because of the military service, but deportation also affects you as well,” says Barajas.

    Back at the Tijuana “Bunker” Barajas opens a blue a folder that contains his U.S. immigration decision. Stumbling his words he shouts, “Hallelujah! Mom, I am coming home mom!”. He then turns to other deported veterans in the room and says, “ I am not stopping for any of you guys, you guys know my commitment.”

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    Facebook Picture @Hector.Barajas2

    Barajas has become the first Deported veteran with Mexican nationality to come back to the U.S. as a Citizen. He is to be sworn in as a U.S. citizen on April 13 in San Diego, California.

  • http://www.racistsandwich.com/episodes/2017/9/19/ep

    Original post 

    Soleil and Zahir meet in the Midwest—sort of. They catch up on their adventures as Soleil prepares to depart to Mexico once again.

    In this episode, we speak with Victor Interiano, creator of Dichos de un bicho, a blog centered on issues that concern Central Americans and Latinidad. Interiano is also the creator of a left-of-center charismatic cartoon cat named Puchica Puchin.

    We also run a story on Sita Kuratomi Bhaumik that was previously published on Raw Material, an arts and culture podcast by the San Francisco Museum of Modern Art. Sita Kuratomi Bhaumik is a conceptual artist working with craft and food to tell the stories of migration that is based in Oakland, California.

    Produced by Juan Ramirez. Music by AF the Naysayer and Blue Dot Sessions. Additional production is by the San Francisco Museum of Modern Art and Geraldine Ah-Sue with music from Podington Bear (source: free music archive)

    LINKS DU JOUR

     

  • FEEDING SOCIAL JUSTICE TO THE MASSES

    https://affectconf.com/speakers/#juan

    Applying critical analysis to food is essential to understanding and framing “big picture” ideas about white supremacist capitalist heteropatriarchy. So many people feel gaslighted by mainstream food media, which paints their cultures/experiences as “other” and in need of interpretation by tour guides. We wanted to create an accessible starting point for the difficult but important conversations about the discourse that affects our daily lives, and thus Racist Sandwich was born.

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  • http://www.racistsandwich.com/episodes/2017/8/30/e34-queering-and-melanating-the-comic-world-w-taneka-stotts

    When was the last time you saw yourself reflected in the art that you love? For Portland’s Taneka Stotts, comic writer and editor, the answer was never. So she co-founded Beyond Press, a small-scale publisher that releases comic books featuring queer-identified and minority artists. In today’s episode, Soleil talks with Taneka about representation, Sonic the Hedgehog, and milkshakes.

     

    In our intro, Juan and Soleil discuss the Portland Taco Festival fiasco and answer some listener questions.

    Produced by Juan Ramirez. Music by AF the Naysayer and Blue Dot Sessions.

    LINKS DU JOUR

    Beyond Press

    Love Circuits, Taneka’s webcomic

    The milkshake incident

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  • http://www.racistsandwich.com/episodes/2017/5/18/e28

    Katherine Quince interviews Daniela Perez—a mentor gardener based in Portland, Oregon—and chat about the successes and failures of gardening. Also, Soleil sits down and talks to us about what is like to open a restaurant in Puerto Vallarta over an awesome audio diary. Be sure to check out her recently published essay, where Juangets reminded of an old childhood snack—cacahuates!

    Produced by Juan Ramirez. Music by AF the Naysayer and Blue Dot Sessions. Additional music by Nujabes, Tupac, and Los Fabulosos Cadillacs

    LINKS DU JOUR

  • http://www.racistsandwich.com/episodes/2017/5/2/ep-27-working-like-ants-w-wanda-stewart

    We celebrate our first anniversary by having guest producer Cristina Kim takes us to Oakland, Ca to talk with Wanda Stewart on the joys and challenges of teaching gardening and community farming at Hoover Elementary. Wanda welcomes us into her classroom and opens up about her goal to dismantle the negative connotations many of her students and their parents– especially from the African American community–have with getting dirty and growing food.  In a time where it’s hard to know how to best be active and engaged, she reminds us that the way forward may be as simple as working like ants.Produced by Juan Ramirez and Cristina Kim. Music by AF the Naysayer and Blue Dot Sessions.

    LINKS DU JOUR

    Original Post

     

  • JxbgPeO2_400x400

    Original Post

    It was bound to happen someday. Our killer founding producer and editor, Alan Montecillo, is leaving us (and Portland) to work as a producer on the 21st, a news and culture talk show from Illinois Public Media. We always knew his talents and Hufflepuffiness would take him somewhere great, and we’re so excited to watch his career progress from afar. Best of luck, Alan!

    In this episode, we say goodbye to Alan and introduce our new producer and editor, Juan Ramirez. Like Alan, Juan is an Oregon Public Broadcasting alum, and we first encountered his work through a piece he did for Think Out Loud. Called, “DACA Now: Returning To Mexico For The First Time In 17 Years,” the gorgeous segment features Juan recalling a visit to his birthplace in Puerto Escondido, Oaxaca, to visit his relatives and ailing father. All of this is colored by the fact that Juan is a DACA grantee: an undocumented immigrant granted administrative relief from deportation because he was brought to the US as a child. Think Out Loud was generous enough to allow us to replay that segment on our show, and we think you’ll love it just like we did.

    One more thing: this didn’t make it into the episode, but we’re excited to announce that we’ve been nominated for a Digital Media: Culinary Audio Series Award from the International Association of Culinary Professionals (IACP)! Woohoo!

  • Story at OPBMusic.com

    by and Juan Ramirez opbmusic | March 3, 2017 11:30 a.m.

    Los Angeles-based Chicano Batman today released their third album, Freedom is Free. That title is more than a rebuttal to the familiar Iraq war rallying cry “Freedom isn’t free,” but encompasses something of the band’s universalist ideal, that we all want essentially the same things out of life. The quartet of Bardo Martinez, Carlos Arevalo, Eduardo Arenas and Gabriel Villa stopped by our studio before their concert last week, for a set of soulful songs off the new record. They were joined by backup singers from the band 79.5, who are opening for Chicano Batman on their national tour. The tour includes stops at SXSW this month and Coachella in April.

    Watch the band’s performance in the player above and listen to the interview below with opbmusic contributor Juan Ramirez, as the group talks about “Freedom is Free” and why they’ve got a superhero in their name.

    https://soundcloud.com/opbmusic/chicano-batman-interview-with-juan-ramirez-opbmusic

    Credits:
    Audio recording: Zack Carver-Gustin

  • The Obama era has come to and end. Like many, I have mixed feelings about this past presidency. Obama’s legacy has now been set in stone—per say. He was often criticized by the “right” and rejected by the “far-left” or “woke” individuals, but not many people argued his “Liberal” title. Whether “Liberal” was used in good faith or a bad connotation, he was always the face of the “Liberals”. I recall the first time I saw Obama in person. He was hope, and I, an undocumented immigrant ate it up.

    In 2007 a pre salt-and-pepper hair Obama was making his rounds in Los Angeles, California during the Democratic Party primary campaign for the 2008 Presidential election. Then, I was working under the table at a solar panel factory, on the outskirts of South LA. Word got to me that Obama, a democratic contender challenging Hillary Clinton, was going to be at the Los Angeles Trade Technical College or Trade Tech as locals call it. Meanwhile, at the same time that day—by coincidence—Republican runner-up, John McCain was going to have a press conference with the then California governor Arnold Schwarzenegger at the factory I was working at. At the risk of losing my job, I skipped work and decided to meet up with friends at Trade Tech. It was a hot day and lingering around a sea of people could only be bearable if we could actually get to see Obama speak. I slithered through a crowd of Black and Brown bodies. I found a place by the podium, where my flip-phone’s camera could make up an image big enough to know it was Obama in the picture. He spoke, and the crowd went wild every time he paused. I myself began feeling euphoric.

    After a moving speech, Obama was getting ready to leave. I quickly walked towards the place he was going to exit – just to see him up close one last time. He left the stage and walked towards my direction. The crowd around me grew almost instantaneously. He was shaking as many hands as he could before getting near me. I wanted to reach out and shake his hand, but at that moment I knew it was going be impossible. I was just going to end up looking like those basketball fans on TV-the ones that get left hanging while the players head to the lockers. I quickly yelled nervously in broken English, “You are the president of the immigrants!” He turned turned my way but we never made eye contact. I was happy. I was sure he heard my voice.

    As Obama left Trade Tech a team of secret service security followed him closely. I was still feeling the “Hope” from the speech so I ran towards a street corner where his caravan was going to pass by. When I got to the busy intersection, I could see Obama in the back of his bulletproof limousine with a window halfway down waving at people. Again I yelled, ”Obama, you are the president of the immigrants!” He looked my direction and wave. I chose to believe he was waving at me. I was convinced he recognized my voice.

    One of Obama’s campaign promises was to enact a comprehensive immigration reform. At the end of his second term he never met that promise, in fact, according to Immigration and Customs Enforcement or ICE, his administration deported 2.5 million undocumented immigrants, which is more than any administration in US history. Obama was named “The Deporter-in-Chief”. He really cracked down on immigration, but not the way he promised during his first term campaign. He created more families with broken homes. My home was one of them. My father, for example, was deported during Obama’s first term. He suffers from alcoholism and was arrested after being involved in a fight due to intoxication. He was handed over to ICE. I didn’t see him for almost a decade, until Obama signed the Deferred Action for Childhood Arrivals immigration policy or DACA, as an executive order. With DACA I was able to leave the country under parole and visit my dad.

    Many undocumented immigrants, like myself, feel uncertain about the future because we have gotten empty promises in the past. Obama’s presidency was not an immigrant friendly one. It took community organizing in order for Obama to take action on DACA. I am grateful for those who were in the front of this fight. I wondered, what if he wasn’t a lame duck president? Had he had control of both the House and the Senate, could he have done more for the immigrant community? As these unanswerable questions scroll through my mind, I chose to believe Obama was waving at me.

  • I had the privilege to work with Pepe Moscoso, host of Fusion Arte Radio—Broadcasted out of Portland, Oregon from the KBOO Studios—to Co-produce Lente Movil: The Other Side Of My Community.

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    Design by Pepe Moscoso

    “Lente Movil is a mobile art project that interweaves image and storytelling, featuring stories from the Latino arts community(in Portland, Oregon). This installation project explores the creative life of each Latino person interviewed. This project celebrates the diversity of Latinos to honor our roots and delves into the conversation of creative inspiration.

    The passion of each Latino interviewed is something we must be willing to share if we want to inspire others because expressive passion is contagious because of the curiosity it stirs in others.”-BlindInsect.com

    Enjoy the presentation!

                   

     

  • Article on Latino Rebels

    Brujas, a self-proclaimed free-form revolutionary feminist skate collective based out of the Bronx, recently visited Portland, Oregon, as part of the group’s West Coast tour. Lately, Brujas has been making waves in skateboarding and the millennial Latino online community. I had the chance to speak with them to see what drives them.

    “Brujas is about building community in the skatepark and around the skatepark. [Brujas] is about encouraging women, [and] queer people to skate but also within the realm, to bring in radical politics”, Brujas member Antonia Pérez said about the collective’s ideology.

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    Photo: Instagram @antonia_la_brujita

    “We are skating, but also, what are all these issues impacting our community —within the landscape of skateboarding— why isn’t there a dominant presence of women in skateboarding?” she added.

    Pérez is one of the earliest members of the collective. She describes her upbringing with a perspective as a woman skater in uptown New York City.

    “My brother got his first skateboard when he was eight years old and I was like, ‘I want one too.’ I never saw a girl skateboarding when I was growing up, so my sport was swimming or soccer. In elementary, I saw skating happening, but I thought it wasn’t for me, but I think if had seen girls skating in elementary school, the older girls in my life, I would have felt like, fuck yeah am going to do this,” Pérez said.

    When Pérez was a teenager in high school she met Brujas co-founder Arianna Gil, and the rest was history.

    Photo by Juan Ramírez

    photo: Juan Ramirez

    The Brujas name came up when Gil watched a 90’s cult classic skate film called Skate Witches.

    “I was like nah, to the Skate Witches. Brujas, because we are some Spanish witches from uptown is a big part of our aesthetics, being Latinas, being New York native. It came up as a joke. We had no intention of being a collective, but we are super committed to what has been built so far, this really big and amazing entity of community organizing,” Gil said.

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    Photo: Instagram @gnarianna

    Gil and rest of the collective agreed during the tour on committing to the longevity of Brujas.

    “We been talking about having a huge space for a very long time”, Pérez said.

    They dream of having a warehouse community space with an indoor and outdoor skatepark, and that would include a commercial kitchen. They would be making salve,“so that after you skate all day and you have sore muscles you are connecting with something that is very basic that still exists—herbal medicine,” Pérez added. “Herbal medicine or healing is not a bougie white thing. This is reclaiming our ancestry, nuestra brujería, nuestras abuelas that worked with the plants that held sacred knowledge.”

    Pérez believes that by learning about native plants, she can empower her community to not rely on pharmaceutical corporations. They would also host book clubs, community healing events, and workshops. Also, they will continue to host their popular massive parties and would expand them to include events like quinceañeras.

    “We throw parties so that people can come and have fun together. Because that is radical, having fun, laughing,” Pérez said.

    Photo: Instagram @brujas

    Photo: Instagram @brujas

    As for now, they are launching a limited edition streetwear line called 1971 to benefit people targeted by the prison system.

    https://www.kickstarter.com/projects/582051340/launch-brujas-x-1971-pe-streetwear/widget/video.html

    “Our identity politics and our aesthetics have been put to the forefront in a lot of public relations,” Gil said. “Prison abolition and anti-prison work is one of the few most important movements in the U.S. happening right now. It just makes sense for us to come out forward and really clear as prison abolitionists by designing streetwear.”

    Part of the day to day victory of kids of color is dressing well and feel good about how you look. Some people see that as shallow and consumerist, but we care about streetwear because our community cares about streetwear. We grew up in New York, looking fresh as fuck. We see our streetwear as agitational propaganda.

    Photo: Instagram @brujas

    Photo: Instagram @brujas

    Portland marked the end of the Brujas tour. “It’s been an encouraging couple of weeks out here [in the West Coast], knowing that people are receptive to our message,” Gil said. They even had an impromptu skate session after a surprise visit from legendary skateboarder Tony Hawk, who follows them on social media.

    screen-shot-2016-10-30-at-1-57-07-am

    Photo: Instagram @brujas

    Thousands are already following these evolving radical feminist skaters through their Instagram page. Brujas are now back in New York and ready for their next chapter.

  • Story on Latino Rebels

    A conversation with the Latino Media Collective on the contributions and innovations made by Latinos to the creation of modern skateboarding. Including punk rock connections, the rise of skateboarding as a future Olympic sport and why people still perceive the sport as mostly white.

  • OPB Article

    Juan Ramirez (left) with his father in Mexico.

    Juan Ramirez/OPB

    To get us to the U.S., my mom put my two sisters and me on a bus, then a plane and then — during the night — we drove a car across the border. I remember looking around and thinking, “Is this it? This is the U.S.?” It didn’t seem like a big deal to me. All I remember seeing was a big McDonald’s sign at the border crossing.

    Seventeen years later, my wife, my daughter and I were crossing the border in the early morning in a five-seat, 1997 Honda Civic. It would be my first time back. My palms were sweaty. I couldn’t stop smiling. I was laughing at the dumbest things. I kept worrying something would go wrong. Like I would have to stay in Mexico. Or I would lose my job because of a delay getting back into the U.S.

    At the international border, the freeway ended. Lights flashed. A sign read, “Leaving the USA.”

    As we drove over the border, a Mexican soldier with a machine gun waved us through. I remember looking around and thinking, “This is it?’ This is Mexico? Some dude waving at us to come in?”

    You know how in the suburbs in Portland there are gas stations and grocery stores everywhere? In Mexico, there are small businesses, mechanics, and tire shops. The next time you hear someone say the streets in Mexico are rough, remember that they’re being literal.

    We drove to an apartment building that my uncle Erasmo owns. As we pulled up to the apartments, I saw a thin, short man wearing faded blue shorts, a gray T-shirt, and sandals. It was my dad. His dark skin looked like leather. His eyes looked tired. I got out of the car and we hugged. I could feel my dad’s bones.

    In every old picture of my dad, there is a drink in his hand. I tried to talk to him about it, but the conversation never went far. I told him he’s addicted and that he needs to talk to a doctor. He got very mad. My dad said he’s going to keep going to rehab. The rehab my dad goes to is like a cross between a dry-house and a jail. It’s a big building where you stay so you don’t drink. Once a day, you go into a yard to exercise. There aren’t any doctors or counselors or drug treatment experts.

    My dad used to live in Tigard. He got deported about eight years ago. He was in Beaverton, outside a taco truck. He was drunk, and he got in a fight. When he got to Tijuana he called me on the phone. I don’t remember what he said. I don’t remember what he promised. I just remember thinking, “Damn, this fool is in TJ? What the hell is he doing in TJ?”

    My dad lives with my grandpa in a two-bedroom house. The home has been under construction since I left Mexico in 1998. My dad sleeps in a hammock in an open-windowed bedroom. It’s been 17 years since I’ve been in Mexico. Everything seemed smaller than I remembered. The kitchen counter at my grandpa’s house has gotten shorter. I could see over it now. My dad has shrunken. He only comes up to my shoulders.

    Juan Ramirez (bottom row, fourth from right), with his extended family in Mexico.

    Juan Ramirez (bottom row, fourth from right), with his extended family in Mexico.

    Juan Ramirez/ OPB

    In the two weeks, I was in Mexico, it felt like we were trying to make up for the 17 years I was gone. We fished for marlins. We went on a boat tour to see dolphins and turtles. We ate tlayudas, mole negro, ceviche and fried fish. I met new family members. We went to the cemetery to pay respects to those who had passed. I felt warm and exhausted.

    One night, I sat down with my grandpa Julio. He’s a retired ship captain and is known around town as a ladies’ man of sorts. He says that at around the turn of the 20th century, four brothers traveled by foot from the isthmus of Oaxaca, crossing hills and desert and jungles. Near what has become Puerto Escondido, the Ramirez brothers settled in the jungle near the beach. That settlement eventually became the town where I was born. I’m proud of our history. But as my grandpa sat and played the guitar, I thought about all those people in the U.S. who will never hear about their family stories because they can’t come back to Mexico. I could see their ancestors vanishing into the hills of Oaxaca, fading out of time, without anyone to talk to about their journey.

    The two weeks passed. My dad drove us to the airport. I hugged him as hard as I could. I could feel his bones. We both tried to not cry. As we said goodbye, I had these thoughts: I believe my dad believes he will quit drinking. But I also know it’s unlikely. I know that he will stay sober for a while, then will eventually start drinking and then will disappear. He’ll quit his job. Then he’ll sell his clothes for beer, his cell phone for booze. No one will hear from him until he gets into trouble or his health gets bad. I want to believe my dad will stop. It would make it easier to leave.

    As we approached the border checkpoint, my palms got wet and my heart raced. I got quiet, sinking into the passenger seat. I had the proper paperwork to get back in, but it didn’t guarantee I could. Lots of things could go wrong. I thought of all them, real and not, while waiting to get to the checkpoint.

    When we pulled up, they looked at my papers and sent me to the secondary inspection. While I waited, I tried to picture what life would be like in Mexico. I saw my father and my grandfather and myself. If I stayed, would my daughter one day have to send me cash for rehab? For food? For clothes?

    The notice finally came back and I walked out of the building. I handed the officer the paperwork saying it was OK for me to continue traveling. We got in the car and drove up Interstate 5 to Los Angeles. At the border, I didn’t see the big McDonald’s sign at the crossing. My eyes looked ahead.

    https://soundcloud.com/thinkoutloudopb/daca-now#t=0:37

  • Story on Latino Rebels

    Not that long ago I was a victim of clickbait. As I was scrolling down on my Facebook wall I saw an article on Latino Skateboarders. It read, “10 Latinos who are making a name for themselves in Skateboarding”, or something along those lines. As a curious skater and a Latino, I clicked on the link. The article made it seemed like it was a rarity for a Latino to thrive in this sport. I was disappointed that it didn’t acknowledge that Latinos have shaped the sport since the early days of modern skateboarding.

    We might think that Skateboarding is the White America’s action sport. Skateboarding, as we know it, began in the 70’s in Southern California. It was meant to imitate surfing on concrete. During this time a group of kids from Venice and Santa Monica, joined a skateboarding competition team called The Zephyr Boys. Among those kids were Tony Alva and Stacy Peralta, Two Mexican American kids. With innovative spirit and a different look at skateboarding, they helped shape what we know as skateboarding today.

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    Craig Stecyk

    According to Vans: Of the wall: Stories Of Sole From Vans Original, by Doug Palladini, in the days when skateboarding tricks only included downhill racing and flat ground handstands, Alva and Peralta would skate drained backyard pools to imitate surfing waves. Tony Alva did the first aerial trick when he went off the pool walls. Vans’s “off the wall” slogan come from that historic moment. Eventually Alva helped popularize the sport into a world phenomenon.

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    Craig Stecyk

    Stacy Peralta did the first skateboarding TV cameo in pop culture, appearing in an episode of Charlie’s Angels. He went on to co-created the Bones Brigade skate team, which helped introduce famous skaters like Lance Mountain and Tony Hawk.

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    Craig Stecyk

    Peralta also became a filmmaker. The documentary Crips and Bloods: Made in America is among one of the films he has created. The film depicts the origins of two rival African American gangs.

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     In the late 70’s there was lack of quality skateboarding materials. Fausto Villeto, an Argentine native, co-founded Independent Trucks Company. Trucks are the pieces that connects the wheels to the skateboard. Vitello’s parents fled Argentina’s Revolucion Libertadora (Liberating Revolution) in 1955 and settled in San Francisco.

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    Thrasher Magazine

    In 1981 Vitello also co-founded the famous Thrasher Magazine. Thrasher Magazine is a skateboarding and music publication. Recently Thrasher partnered with Vice’s TV channel Viceland, to transmit King Of The Road, a Skateboarding competition show. Vitello passed away in 2006.

    Mark Gonzales, a native of South Gate, California, was the first person to skate a handrail, thus setting the blue prints for modern street skateboarding. In 1984 he was featured in the cover of Thrasher Magazine. In 2011 according to Thrasher, Gonzales was the “Most Influential Skateboarder of all Time”. Gonzales now resides in New York City with his family and has become a renowned artist.

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    Thrasher Magazine

    These are just some of the Latinos that have shaped this sport. Latinos are part of the history of skateboarding. Skateboarding is not just a White American sport. Skateboarding is also ours. Today, there are many Latino skaters who continue to evolve skateboarding. We are innovative people, we always find ways to make everything exceptional.

     

    Juan Ramirez

    @juandr47

     

  • OPS’s web article

    Portland Students March Against ‘Build-A-Wall’ Banner
    by Juan Ramirez OPB | May 23, 2016 6:47 p.m. | Updated: May 24, 2016 8:17 a.m.

    Students from Portland high schools and colleges marched Monday to protest a banner hung in Forest Grove last week. That banner suggested the United States should “build a wall” along the border with Mexico.
    Students from Portland high schools and colleges marched Monday to protest a banner hung in Forest Grove last week. That banner suggested the United States should “build a wall” along the border with Mexico.

    It echoed a proposal put forward by presumed Republican presidential nominee Donald Trump.

    About 200 students marched from Pioneer Courthouse Square to Portland State University.

    Sandra Andrade is with the group Movimiento Estudiantil Chicano de Aztlán and helped organize the demonstration.

    “The incident that happened at Forest Grove was the breaking point,” said Andrade. “It is not an isolated issue or one more situation added to the discrimination our community goes through everyday.

    “We believe that every person should have a safe space to be included in,” she said. “School administrations are failing at addressing the issues our minority students are facing.”

    Students from Washington County held similar demonstrations last week, even after the student who put up the banner made an anonymous post online to apologize.

    Protesters said the banner being taken down hasn’t erased anti-immigration sentiment fueled by Trump’s campaign

    Editor Ryan Haas contributed to this report.

  • Contributed to the timeline used in, 41 Days: An OPB Documentary On The Oregon Occupation’s webpage.

    Timeline: The Armed Occupation Of The Malheur National Wildlife Refuge

     John Sepulvado / Juan Ramirez / Bryan M. Vance/OPB

  • OPB’s news article

    by , Juan Ramirez, and OPB | July 19, 2015 12:09 p.m. | Updated: July 20, 2015 6:32 a.m.

    From left to right: Antonio Carter, Emanuel Washington and Sharon Maxwell

    From left to right: Antonio Carter, Emanuel Washington and Sharon Maxwell

    Photos by Alan Sylvestre / Art illustration by John Sepulvado

    With President Barack Obama calling for reform in the criminal justice system, OPB wanted to get an idea of what life in prison is like.

    We spoke with two inmates and the mother of a former inmate to get a picture of what prison life is like.  Antonio Carter, Emanuel Washington and Sharon Maxwell shared their stories

                             

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